MUSIC FROM THE DARKNESS: Chapter One To the Manor Born : 1953 to 1972 For many, Mike Oldfield's career began with the astonishing success of his debut album Tubular Bells. this success, however, owed much to those who had influenced him in the preceding years. Michael Gordon Oldfield was born on the 15th May 1953. His father was a practising GP in Reading whilst his mother, who suffered from a mental illness and was frequently in and out of hospital, had been employed as a nurse. In 1966 the family moved to Hornchurch in Essex where Mike attended a local grammar school which, after an argument with the headmaster over the length of his hair, he left in 1968. Before this, at the age of ten, his father had bought him a six string Eko guitar and taught him a few chords. From that moment onwards Mike would return from school, retire to his bedroom and become totally immersed in this new instrument. By the age of eleven he had purchased a Futura II electric guitar and he and his sister were playing at local folk clubs. then after visiting a studio to see Mick Jagger, they recorded under the name The Sallyangie the LP Children of the Sun (TRA 176) on the transatlantic label. This LP consisted of mainly folk and acoustic songs, which although were all the fashion at the time, did not satisfy Mike musically. He decided to split from his sister to forge his own path forward. After experiencing a hard year of living with his father, he failed in an attempt to front, with his brother Terry and a member of the popular Long John Baldry, his own electric group called Barefeet. After about 6 months unsuccessfully persuing this project, he auditioned and was invited to join the eccentric Kevin Ayers Whole World Band. Ayers, who had been a member of Soft Machine, had assembled together several musicians of a radically different musical nature. Primarily with Oldfield on bass and guitar, Lol Coxhill on saxophone, innovative avante gard composer David Bedford on organ, Mike Fincher on drums and Ayers on vocals and occasional lead guitar, the Whole World Band was to produce an eccentric blend of music and occasional drunken mayhem. One of the most important parts of this strange collaboration was Mike's meeting with David Bedford and a friendship of which Mike was later to comment: "He's the only musician I know personally and respect." |
Mike's association
with Ayers produced two studio LP's which included Mike playing
solely on bass. The first was 1970's Shooting
at the Moon whilst the second, in 1972, was titled Whatevershebringswesing.
On this second LP, Ayers allowed Oldfield more scope to express
himself, letting him play lead guitar. Of this Ayers was to comment
on the sleeve notes in the thanks section: ©Peter Evans Buy
The Sallyangie now from Amazon.co.uk
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